El Guiñol de Camagüey premiered The Prince and the Sea, to give joy to children and the family in general at the beginning of a season at its headquarters during July and August.

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24 years after its foundation, Teatro del Viento consolidates its preference in the Camagüey’s taste for the technical and conceptual quality of the proposals, as well as for the astuteness of its director who has known how to educate an audience that makes theater today a necessity within its personal consumption.

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Francisco Bernal from Camagüey arrived to the City of Tinajones after a long period on Spanish soil to honor through the brush and canvas the memory of his loved ones with the personal exhibition El tiempo es oro (Time is gold).

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 With the will that characterizes the locals, San Juan in Camagüey will return to its traditional program from June 24th to 29th, with parades and floats, the Teatro del Pueblo, in the central Square of El Gallo, and presentations of orchestras from the catalog of the Provincial Music Center in party areas.

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Camagüey’s Symphony Orchestra, conductor and Mexican violinist Armando Vargas

18 years ago the City of the Tinajones gave its colonial charms for the first time to the Mexican orchestra director and violinist Armando Vargas Guevara, who returns on this occasion to strengthen the ties of brotherhood created through music between the Aztec country and Cuba.


 My first book, donated on Three Kings Day many years ago, was The Count of Monte Cristo. At first, I did not realize the transcendental nature of that gift. Then, not by chance, I had the opportunity to tour the walls of the prison fortress of the Château d'If on the small island in the Bay of Marseille, where I met Edmund Dantes and his story with Mercedes that I have never forgotten despite time and the avatars.


The violin is one of the most difficult instruments to learn even though it has four strings. Adelante newspaper, talk with a woman from Camagüey who perseveres in her study and who is very close to reaching perfection.


Only Víctor Hache, a novel life

Not always a single term portrays the person and the trade, but with Víctor Hugo Pérez Gallo (Nuevitas, 1979) the happiness of those who finds the natural pearl in an ocean of oysters without inheritance does embrace us. Fantastic. He is fantastic. We knew it since the summer of 2015 in the literary café La Comarca when he read a fragment of Los demoniados de Yaguaramas, where he proclaimed Camagüey the capital of the country and Ignacio Agramonte has not died. He participated in the Literary Crusade of the Hermanos Saíz Association (AHS) in this city with urban takeoff from medieval Spain.


The sculpture of Aisar Jalil that has motivated urban legends in Camagüey, one linked to its disappearance from the square in front of the Principal Theater, was never stolen and receives restoration for its return to space.