When the Unión saxophone quartet performed Acuarela de Brasil, the music enveloped the Casino Campestre as in the animated audiovisual that made it possible to apprehend that other anthem of a nation these days highlighted in the largest cultural event in Cuba.

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 He was a correspondent for Prensa Latina in Camagüey when I met him. Back then, an agency journalist was equivalent to an Olympic medalist. For a medium like this it is not enough to know the technique. It involves the skills portrayed in that special sense of smell to discover the news in a country marked by a crisis of newsworthiness.

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For the Cuban Maikel Sardaña Pérez, who cultivates writing like a farmer from the humble space of the literary workshop, the harvest season begins. He has just won the “Artemis City Foundation 2024” scholarship in children's fiction

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Japanese calligraphy or shodō is one of the most well-known and popular traditional arts in Asian countries. It is considered a very difficult discipline to perfect and is even taught as a subject to Japanese children in their primary education.

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Kronikas' experience and the safeguarding of heritage through comics occupied another of the sessions of the 14th edition of Jornadas ArteCómic, focused on the opportunity of that publication for the author's work.


Jornadas ArteCómic, a regular event during the summer in this city, has changed seasons, and starting with the 14th edition scheduled for February 28th to March 2nd, it will explore the new cycle with the desire to vindicate the ninth art.


The branch of the Nicolás Guillén Foundation in Camagüey will dedicate its main events of the year to poetry and women in its desire to support the cultural environment of the city that is the cradle of Cuban literature.


 The 34th City Hall was inaugurated, from the Alejo Carpentier Universal Art Gallery, under the question: How do I look... how do you look?, as a challenge for the public, and established and new artists, who participate in this occasion, ideal to celebrate the 510th anniversary of the town of Santa María del Puerto del Príncipe from the different gallery spaces of this city.


Her giant earrings stand out with simplicity in the midst of so much color. The smile dazzles, as does the emotion with which she talks about her project. In a world that has been unjust to a fault with black women; in a context in which she continues to say "bad hair" or "good hair", as if the behavior of hair could be measured; where almost all girls learn from early on that they have to straighten their hair and in a Cuba that tries to break with those old patterns, luckily Gemy Jiménez Álvarez was born. Irreverent, happy and willing to transform, she lives proud of ¡Qué Negra!