Jesús Arias Pagés and Armando Gómez Briydson must extol the quality and high technical demand, the histrionics and the structure and design achieved by Pedro Ruiz, with music of Mozart interpreted by Frank Fernández, added Yaylín Ortíz Clavería, director of the company.

“From the first impact we feel difficult this work that involved a psychological work for the dance of two males, but it has made us mature artistically and personally. Pedro Ruiz marks a different line for us”, mentioned Jesús, who has been for seven years in Endedans and received the Award Uneac 2013 to the best interpretation for his performance in La Carmen, of Tania Vergara.

Armando, with two years there, says that although they accompany themselves, the jury will evaluate them in an individual way: "It is always good to share the stage with other ballet dancers. In competition matters, to dance and to feel this pressure is uncomfortable, but the fact of going with the name of Endedans is magnificent”.

Abrazo perdurable was released in May in the Theater Martí, of the capital, during the Biennial of Havana. On the following month it was in Camagüey, concerning the program for the 13th anniversary of this contemporary ballet.

Endedans supports its stamp of laborious group, with its classes and essays in the high places of the House of Culture Ignacio Agramonte, to fill with new works its repertoire of 2015, and more applauses in and outside of Cuba.

The teacher Yaylín said that she will go to Mexico, to take part in the Festival of the Arts of Merida, in Yucatan, from October 6th until October 13th. The Camagüeyan company is in charge of the closing gala ceremony in the Theater Armando Manzanares. When in Cuba, Cienfuegos and Santa Clara will be toured, before its next season in the Principal Theater.

Translated by BA in English Language, Manuel Barrera Téllez

{flike} {plusone} {ttweet}